Las Vegas Wrap It Transit Project Proposal
October 2005

Proposal for a Regional Transportation Commission of Southern Nevada public art project; proposal for bus-wrap graphics. Images of historic Fremont Street, the older area of Las Vegas. Entire composition is from a single roll of film. October 2005. Budget: $2,500.

Didn’t win but this is my favorite proposal!

Presentation Board

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October 2005

Eye Witness (Part II)
October 20 – December 1, 2005

Show Walls Gallery, 1133 Avenue of the Americas, NYC. 10/20-12/1/2005.
Reception: October 20, 6 – 8 pm.

Sea of Snakes Susan Bowen
 
PWP show. 66″x14″ dye sublimation print on polyester coated steel: ‘Sea of Snakes’.

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October 20 – December 1, 2005

Plastics: October 11 – November 17, 2005

Nelson Hancock Gallery, 111 Front St., Suite 204, Brooklyn, NY. 10/11-11/17/2005.
Reception: October 11, 6 – 8 pm.


Exhibiting: ‘Field Silhouettes’, ‘Prairie City Grain Elevator’, ‘J&N Feed Supply’, and ‘Departing G at Dusk’.

“I founded Nelson Hancock Gallery in 2005 and currently serve as director. The gallery is dedicated to fine art photography, with a special emphasis on novel approaches to documentary and ethnographic image-making.”

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CD Covers, Reuben Radding: 2005

Images used for two CD covers for jazz bassist Rueben Radding:

Intersections, Pine Ear Music, Fall 2005


Fugitive Pieces, Pine Ear Music, Winter 2005

Review of CD in Paris Transatlantic: “An increasing number of musicians and listeners are looking upon traditional free jazz as a stylistic cul-de-sac, and bassist Reuben Radding confronts the problem head on with this new disc on his own Pine Ear imprint. Assembling an ensemble of players at the vanguard of process- and texture-oriented improv, Radding spearheads a program of music that borrows from electro-acoustic and ambient musics, even though the instrumentation at first glance suggests a conventional jazz combo. … Radding’s bass suggests the creak of wind-blown rigging on a sea-faring clipper. Drones and grainy scrapes abound, as well as lulls into near-silence. It’s a standout performance, and the piece’s marathon 32-minute length feels fully justified. A word of praise is due too for the cover art by Susan Bowen: the images of junkyard materials recombined into new architectural configurations beautifully complement the music.–DT”

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Inaugural Show, Mario Novak Gallery
July 12 – September 15, 2005

Mario Novak Gallery, 35-11 36th St., Long Island City, NY. 7/12-9/15/2005.

42nd Street
 
Participation in the gallery’s inaugural show. I exhibited 6 small pieces, 5 large-scale pieces; 11 pieces from the Santa Fe, New York, and Iowa series.

Installation Views

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July 12 – September 15, 2005

Iowa Meanderings: July 1 – August 1, 2005

Solo Show
Fine Arts Gallery, Community College of Southern Nevada
3200 E. Cheyenne Avenue – J1A, North Las Vegas, NV. 7/1-8/1/2005.
Reception: July 7, 6 – 8 pm.

ccsn
 
I will be exhibiting 9 pieces from the Iowa series.

ccsn1
ccsn1


Review in Las Vegas City Life


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Perspectives, Positive Focus Gallery: May 5 – 29, 2005

Positive Focus Gallery, 111 Front Street, Suite 230, DUMBO, Brooklyn, NY. 5/5-5/29/05.

6 person show w/Anthony Festa, Amy Etling Fletcher, David Murcko, Karla Brom, Brian Buckley. [4 pieces: ‘Pride Parade (2 ft. x 9.2 ft. print)’, ‘People Before Profit (Guy in Orange)’, ‘Running from Dick Tator Ship’, ‘Seven Billion, in the Red’]

Review


Press Release

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